whether you’re floating free to antipodean ambience or toasting the sunset with a baltic beauty, you can always count on growing bin to take you someplace new for a while. swapping bucolic poland for the buzz of the big apple, the hamburg imprint reaches a magnificent seven in the company of synth-pop dreamer shy layers (jd walsh to his mum) and his sublime self titled debut

this was mistakenly listed as being on random color vinyl. it is not. there is not and will not be any color vinyl. just black. azimuthal equidistant is a 3 track ep from hieroglyphic being & the configurative or modular me trio. the title track is a jackin phaser workout, while discotic compuserve is minimal bleep at its best and how far back is a contemplative lowbit riddim!

repress / standard cover ...
on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

this is feline, suara s vinyl only sub-label. a place where coyu pays tribute to the black gold releasing underground local talent. house or techno, techno and house, always raw, always pure. visually is the feline elegance, reflected in the beauty of the motion and the plasticity of its own forms, like a cheetah floating in the savannah. counterpoint to suara, feline goes deeper searching for the purity of the graphic concept and the honesty of the message. for our third release we have barcelona s artist baldo introducing his unique way of interpreting electronic music plus a superb remix from daniel kyo.

incl. hans bouffmyhre remix
this label is founded by hungarian producer depthon (a contraction of the words -depth- and -on-) with a nonsensical approach to music. as said in the label s statement, the music released hereon, is also a reflection of the mindset of this techno artist. he came a long way, crawling through different genres but ending up in his favorite and most versatile style. and in january, his very first physical release of music will happen on his own imprint. an ep on black gold loaded with 4 weapons that are ready to add up to every quality techno mix and also will destroy the dance floor. 3 of depthon s own works and in addition a remix by glaswegian techno prodigy and sleaze records labelhead hans bouffmhyre. -last train- is the first pulsating and powerful track that works as the opening window of this ep, followed by the remix by bouffmyhre, which could could be described as an immaculate upgrade to the original. on the flipside, it s -faded- that is exemplary to the saying -less is more-: dark and simple pads on a compelling background that surely will keep one s attention throughout the course. last but not least is -timelapse- that contrary to the other tracks uses high pitched synths as a lead, in combination with hissing hi-hats and a constantly changing scenery.

carlos sanchez strikes back with a heavy weight 4 cuts ep. confirming the high level vision of this canarian producer after being rising up on significant labels such as poker flat, freerange records, la vie en rose or 8bit, carlos brings now to home invasion solid & analog raw drums baked with organic elements, delivering serious grooves wrapped up with sophisticated & sweet uplifting chords seeming to be from outter space.

following his debut solo release altar ego ep on la mission in early 2016, j choirboy returns with more bombastic breakbeats and raucous rave chords for your earholes. another sharp shot of nostalgia to the heart to have you waking up spluttering in the glory days of 92. simpler times when the internet was still in black-and-white and you and seven of your mates would pile into gazs vauxhall corsa and drive to a field somewhere off the m25 for a propa wicked rave which you found out about from a party hotline on a crumpled flyer with some tenuous reference to science in the title.

next release mmaudio, this time with the label’s founders drafted and unthone for an exclusive exit in split, including the remixes respectively of tadeo and andrea. drafted in more sustained and steady speed flow in ethereal gates, with regular ascents and descents, tadeo here has worked on a remix dedicated to club, direct and with sci-fi style, with a drum percussion, clean and always effective. while unthone with fleeting moments embodies the idea of ambient, dark and dub, with influences from deep in the remix the same, andrea focuses track in break style, including grooving incisive and very present.
vinyl: 180gr transparent green, clear & black mixed.

monologue plays out like a novel, where the abernathy’s expand the perception of family over ab’s expansion of the stripped down soul/r&b music we’re used to hearing. whether he’s playing piano, wurlitzer, synths, guitar, programming drums, live drums, or arranging strings and horn lines, ab’s mastery of musicianship is on full display through monologue’s array of colorful, complex compositions, coupled with his rich, layered vocals.

ritual chants : beach !!
ritual chants is a stellar earthbound and outer space odyssey spanning 3 chapters, respectfully embellishing psychemagiks taste and passion for the wonderful, the sublime and very often unusual.

12 inch with black jacket. this music is inspired by the story and the interviews with betty hill.

ava. records long-time member and cool dude am kinem aka funkycan’s 2nd solo ep: privat+fertig. about 30 minutes of hardcore feelings, coming handmade in plastic and black & white.

12 inch black vinyl + insert

limited edition of 1000 copies on translucent, multi-color splattered vinyl.
experienced crate diggers are no doubt familiar with new birth, the 17-piece funk ensemble sampled on classic hip-hop records by wu-tang clan, de la soul, junior m.a.f.i.a., black sheep, lil wayne, ice cube, and many more. the genesis of new birth can be traced back to the nite-liters, a louisville-based instrumental outfit. founded in 1963 by motown songwriter/producer harvey fuqua and saxophonist tony churchill, the nite-liters released a handful of albums in the early 70s, scoring a few minor hits and perfecting the sound that would power new birth to further success as the decade progressed. while much of the the nite liters’ early material has been overlooked, their self-titled debut album is worth revisiting. originally released on rca records in 1970, the nite liters is a raw, soulful masterpiece that has been sampled by kmd, ghostface killah and others.

cubicolor present their debut album ‘brainsugar’ as a double vinyl edition.
having launched in 2014 with two members, dutch producers ariaan olieroock and peter kriek, cubicolor now welcome british vocalist and former duologue front-man tim digby-bell into the band as their third member, following much loved collaborations on ‘falling’ and ‘mirror play’ over the past 12 months. in his time with duologue, tim produced, co-wrote and sang on two records acclaimed by the likes of the guardian, nme, diy mag and the line of best fit.

art yard records continues its voyage into the omniverse of unreleased sun ra tapes with i roam the cosmos – an unreleased, previously unheard 1972 live session recorded at slug’s saloon in new york. limited 180 gram vinyl pressing only with tip on sleeve. check!! fronting a stellar 18-piece incarnation of the arkestra, i roam the cosmos finds sun ra taking us on a poetic journey to the outer limits of planetary awareness. while the captain of the space-ship declaims his message with arkestra vocalist june tyson as co-pilot, the arkestra voyage into the solar centres of esoteric astro-black knowledge aboard a comet-trail jam on ‘discipline 27-ii’. as current arkestra member knoel scott observes in his liner notes, sun ra was a teacher, come down to earth to spread the enlightenment of the ancients and advance the alter-destiny of humankind. this earth was not his home: he was here to wake the sleepers, and to make sure no-one would forget his message. the universe sent him to converse with us, and i roam the cosmos is another unique message from saturn, delivered for tomorrow’s world by art yard records.

italian producer reekee has laid down soulful grooves for roots underground and wrong notes over the past year, and now he surfaces once again with this sumptuous turn for uzuri. bal-era is the perfect lead track, cultivating a classic deep house mood with passionate keys and synth lines, setting the scene for glenn underground to swoop in for an invigorating remix rich with saxophone goodness. black tobacco on the flip is a more subdued affair, but no less refined in its use of piano at the forefront of the mix, and then quartal ramps up the synth work without losing that infectious, soulful mood.

bassianis 2nd12-inch release is out on november, 21. it will be 4 track included release, contribution from artists avi musaifi, abdulla rashim, varg, newa.

no one flips it like a-trak. his limited edition box set “in the loop: a decade of remixes” commemorates twelve of trizzy’s most notable remixes - from blog favorites to festival smashes - on six 7” colored vinyl singles (2x white, 2x blue, 2x black) in custom sleeves, all housed in a beautiful collectors box. the wax is accompanied by a 32 page booklet featuring original artwork and a-trak’s behind-the-scenes stories on each remix, making “in the loop” a must have for any fg fan, #realdjing enthusiast or forward-thinking music lover in your life.

super mysterious 12” release from dj kushboogie. 12” black vinyl in white matte sleeve with paper inner. cmyk newspaper/rose/hand and cascaded window centres.

fall of 2016 sees midnight magic ready to enchant us once more with the much-anticipated birth of their 2nd studio album, the wondrously eclectic free from your spell. going back to their roots in los angeles, morgan wiley, and tiffany roth, alongside the rest of the boogie nonet, have prepared a refined feast of genre-bending songs. the ever so diverse moods of free from your spell make it a seductive journey. with each song mixed seamlessly into the next, the record coalesces into one long disco odyssey, reminiscing giorgio moroder and donna summer s concept albums four seasons of love and a love trilogy. moods, genres, and styles intertwine like an aural kaleidoscope, the album electrifying with its striking harmony. whilst exuberantly borrowing from past decades, free from your spell more than holds its own as a self-assured, innovative body of work. midnight magics free from your spell is an offer one can t refuse. an attractive deal in the form of disco escapism, traveling through its various shades, emotions, and incarnations, a comprehensive revival of the genre for modern ears. it s studio 54, it s moroder,amanda lear, gino soccio, and grace jones. its a whole palette of 1980 s r n b and cosmic funk. despite all the music references of past eras free from your spell is very much a current album, a mature demonstration of genuine skills in songwriting, a multi-instrumental banquet of sounds, a coherent collection of ambitious dance tracks and a beautiful celebration of eclecticism. add to this some of tiffany roth s most memorable vocals to date and you arrive at one of the year s most exciting releases. there is a strong reason for both midnight and magic in the name of the band after all.

after some killer releases on jelous god and blackest ever black, parisian producer tomas more aka december debuts on mannequin records with a 4 tracks ep for the death of the machines serie. slow industrial techno mixed with raw ebm-ish flavours.

rysunku is proud to present it’s newest signing, esteemed producer noble drew ali aka morell maison. the artist will be launching the new signing with his debut ep ’natasha’. though the artists own music production has hardly yet revealed itself, his presence within the industry has been far from unnoticeable. nts radio monthly resident and renowned as a substantial contributor to the artistic development of contemporary electronic music. with his debut ep, ‘natasha’ , audiences will finally be able to experience the more personal outcomes of noble’s musical approach so far. here we hear noble drew ali exploring a sonic architecture of sweeping yet poignant baselines and fragmented percussion. the first listening experience to have evolved from noble’s cultivating musical journey. lovingly pressed on an extremely limited run of 300. five stunning tracks on 180g black vinyl featuring artwork by gareth horner. rysunku is truly honoured to be releasing this music.

after various releases on weevil neighbourhood, two of the label’s key figures, anthone, who made a first appearance in 2012 with the “aloof” ep and “double dub / clear view” as well as “breath/lungs” in 2014 and katsunori sawa, who debuted with the “lr” ep in 2011 together with yuji kondo as steven porter and later released “the two legs” (2013) as well as “holy ground” (2014) as a solo artist, team up as bokeh for their first collaborative outing dubbed “peace obscured”. the release comes as a 12” ep combining both artists trademark musical vocab - industrial dub and noise influenced techno - resulting in a three tracker of relentlessly driving bottom end rave. black vinyl, limited edition, artwork by lee noble (no kings records/ bathetic).

following the peace obscured ep by bokeh, his joint venture with anthone, katsunori sawa sets yet another mark on the weevil neighbourhood with his first full-length solo artist album on the label. titled secret of silence the eight tracks-spanning work of kyoto based sawa drills through japan techno, industrial breaks and noise while flirting with breakcore and a more aggressive take on dub.
katsunori sawa has been with the label for pretty much four years now with solo projects as well as joint ventures (besides the aforementioned bokeh, he’s also part of steven porter with his brother in arms yuji kondo with whom he also runs their own 10 label). his musical career reaches back another few years when he was writing and producing under eoc (short for enormous o clock), including an album for ai records.
the release comes as a limited edition 12” record on black vinyl with artwork by l.a. based lee noble (no kings records/ bathetic).

after a longer than usual break gamm enterprises is back on black plastic but more important... we got a brand new design! for those who don t know gamm has been delivering dance music of the blacker kind for almost 15 years but always with the same look. basically, a visual facelift was long overdue. but we think you ll feel it as much as we do and it really works beautifully with our musical ideology. so, for the (new) premier release we got an incognito producer that is rumoured to come from a small town in mexico. having finally agreed for a brief skype call he appeared wearing none other than a bright luchador mask and giving one-word answers with a strong mexican accent. no matter how convincing that was we still can t help thinking his name sounds pretty close to another producer that is to put it mildly, pretty hyped at the moment. musically the ep is ranging from percussive carnival disco (carnival in manchester) to brazilian fusion grooves (jazz in italics) and independent disco/funk (dues paid fast). either way you ll definitely find something that will work your party. gamm is back and back with musical vengeance!

on local talk s 74th release it s about time to get real...and we re not only talking about the music! this a heavy and political record that through music expresses the constant struggle for many african americans living in the us today. or like jamie 3:26 said after he first heard sameed s initial version - it instantly hit me with the raw pain and emotion of the lyrics. there is so much struggle in the world today, many black men and women are in emotional, mental and spiritual battles. the message is delivered over two tracks, testify and can t u . both tracks are using the same themes and samples but with a distinct difference on the end result. on the a side we find chicago legend jamie 3:26 teaming up with amsterdam s new shining star masalo (brighter days crew) for a gospel inspired disco / house jam that comes with a slight warehouse feel and a thumping bassline that is 100% on point on the flip sameed is back on local talk with can t u . a track that uses the same foundation as testify but instead goes straight for that dirty disco knock out punch...heavy stuff! as an extra bonus we also included dusty jazz , a fender rhodes driven jazz-house cut from sameed that sounds like it comes straight from a dark juke joint in manchester.

der soundtrack zum blockbuster suicide squad explodiert fast vor hochkarätiger besetzung! denn nicht nur der film kann stars wie will smith, jared leto, margot robbie und cara delevingne vorweisen, sondern auch der soundtrack hat ein absolutes killer-line-up: skrillex & rick ross, lil wayne, wiz khalifa & imagine dragons, action bronson & dan auerbach (the black keys), eminem, panic! at the disco und grimes sind nur einige der mitwirkenden, die exklusive neue songs beisteuern, außerdem sind twenty one pilots mit dem erfolgstrack (fast 400 mio. spotify streams, top ten single charts) »heathens« vertreten.
nicht zuletzt enthält das album erstmals »i started a joke« in voller länge, jenen song von confidentialmx (feat. becky hanson), der im »suicide squad «-trailer auf der comic-con zu hören war und mit mehr als 136 millionen views zu den meistgeschauten trailern des jahres 2015 zählte.
das doppel-vinyl mit etching auf seite 4 erscheint im klappcover, downloadcode inklusive.

the latest single taken from no fantasy required, blondes have more fun exemplifies tigas knack for deceptively deep songwriting and lush production. it is accompanied by a trio of remixers from contemporary electronica royalty: prolific swedish producer on-the-rise on part 1 jonas rathsman, running back boss gerd janson and and international house and techno breakout du jour, the black madonna on part 2.

kidnap kid kickstarts his new label with an anthemic and emotive production that is arguably his best to date.&#8203,,birds that fly &#8203,,is an indelible cut thats timeless in nature. its accelerated by an equally moving and slick production, moments feat leo stannard&#8203,,, a captivating classic in original form as well as the paired instrumental mix. after releasing on a number of great labels over the past few years, i m excited to have one to call my own. birds that fly was born of the need for a home that felt in harmony with my musical aesthetic. im looking forward to releasing the music i love over th&#8203,,e years to come. kidnap kid kidnap kids versatility is what shines here. treading a winding path, he originally made his home on the black butter label, but has since spread his wings to encompass a more underground aesthetic. this journey has led to the conception of &#8203,,birds that fly a home for his own and other likeminded producers and a platform that will no doubt be a compellingforceinthecomingmonths.th&#8203,,e&#8203,, vocalson moments belongtosingerandsongwriter&#8203,,leostannard&#8203,,,&#8203,,who at only 20 years old is also part of the black butter family, and was recently supported by bbc introducing.

last copies worldwide! never seen before. beautiful high quality and unique hand-made wooden box with a knowone branding on top.
the boxes are padded with foam, handnumbered and very limited.

package contains:

handmade wooden box with hinges and lock.
5 records in 180 gramm black/white marbled vinyl with 110 min playtime.
each record has a different brightness or darkness to differentiate the 5 records.
each vinyl in single shrinked fullcover printed sleeve.
2 cds in a beautifull and shrinked high quality digipack.
a velvet band allows to lift the records out of the box without to move, tip or tilt the box.
a knowone record butler is also included to hanlde the records without touching them.
the whole box is padded with foam.
each box is handnumbered, branded on top and finally shrinked.

see the pictures below to get a clue about the quality of this collectors item.

strictly limited to 500 x 180g vinyl , deluxe 4c comic style artwork! eventual represesed will be with 140g weight and black doublehole sleeve. quartet series, an independent record label founded by maurits verwoerd (nachtbraker) in 2016.

to wrap up 2016, true romance unleashes one more disco stunner. this time the fabulous three tracks 12 comes from the classically trained yet funky to the bone: phil gerus. the russian producer has been a rising force of the modern disco movement with releases on futureboogie, sonar kollektiv, thugboat edits to name a few. the make time ep, his first offering on true romance, confirms gerus is here to stay. the a side, she is wearing her black boots again, is meant to played very loud and very late in a dark smoke-filled room. its a raw thumper with a thick post-disco bass line, robotic italo synth, dreamy chopped up vocals all layered with catchy mysterious chords. the flipside starts with the irresistible make time, a groovy number with loopy funk guitars, soulful vocals and infectious keys that will stick to you like glue. for the grande finale, gerus serves us detective from kamakura: a gritty electronic funk track with banging percussions and delirious moans that will keep you awake until the break of dawn.

the kurl project started in the summer of 2014 where the primary concept was to sonically encompass the various influences of a twenty-year musical journey. the essence of kurls sound is mainly deep dub with hints of house groove that create a very unique sound environment connecting the listener to his lifestyle and movement. at the root of “sacred fire” is a very special love story. kurl started an emotional partnership, a genuine brotherhood with mj white, one of the pioneers of the soulful house music sound of the new york ’90s. marshall james white appeared on many hits in the nyc club scene including scandalous still irresistible just to name one. he tragically passed away in november 2015. mj white gives soul to sacred fire by writing the lyrics and interpreting it with so much passion that kurl was able to transform this track into an eternal love song. for kurl, mj white will remain the angel with a heavenly voice, and above all, a memory that will mark his internal and musical journey for the rest of his days in the words of mj white music has a huge heart that beats inside all of us.

the colors are stunning. in a single view, i see looking out at the edge of the earth, all the colors of the prism. red at the horizon, blends to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue, then black as the vastness of space engulfs the surroundings. as i looked upon our home rock, i saw many natural features. i witnessed a large river meandering slowly along for miles, passing from one country to another without stopping or hesitation. i also saw huge forests, extending along & across several borders as if these divides didnt exist. i watched the extent of one ocean touch the shores of separate continents, then suddenly, a profound thought came over me as i looked down on all this. the birds dont fly this high

to celebrate this years record store day/black friday, coalmine records is pleased to release a special-edition 7 inch version of heltah skeltahs previously digital-only slapper, midnight madness, featuring dj revolution. as fans of the duo already know, the circa-2009 track is pure flames, and brimming with hilarious bad-guy lyricism from ruck (aka the late sean price), and his partner in rhyme, rock. the two absolutely let loose over shukos funky instrumental, as ruck drops concrete flows while rock communicates with animals.

ltd to 300 copies / vinyl only / mastering @ calix
long awaited return of the neapolitan imprint informale with the founders random / noize delivering a solid techno ep and hosting a great remix from the talented technoyzer ! -syncope, also known as fainting, is defined as a short loss of consciousness and muscle strength, characterized by a fast onset, short duration, and spontaneous recovery. it is due to a decrease in blood flow to the entire brain usually from low blood pressure. some causes have prodromal symptoms before the loss of consciousness occurs. in phonology, syncope (/&#712,,s&#618,,&#331,,k&#601,,pi&#720,,/, greek: syn- + koptein -to strike, cut off-) is the loss of one or more sounds from the interior of a word, especially the loss of an unstressed vowel. it is found both in synchronic analysis of languages and diachronics. its opposite, whereby sounds are added, is epenthesis-.
already supported by: kerstin eden, gez varley (lfo), plural, john massey, kill ref, richie hawtin, warind, formal method, m.r.e.u.x, klaudia selection sorted.hu, kata mercado, archivone, mirko (etichetta nera), gill (different grooves), jeff rushin, domenico crisci, gigi galli, pat coefficient, noemi black, dr. motte, logotech, imugem orihasam, gemma furbank, subsist rec 2, joseph capriati, paco osuna, dario caruson, slaker, xpansul, chris jones aka sejon, trunkline, future 16, terrae, l.a.w. dj, len faki, jerome baker, diarmaid o meara, maceo plex / maetrik, drumcell

blumoog music is again among you with two really great producers on the electronic scene. the second chapter is produced in collaboration with one of the pioneers of new york s electronic/techno music, famous for his historical label proper nyc. steve stoll wanted to collaborate on this project with m.r.e.u.x. even him a famous electronic music s producer, together they blend in this e.p the origin and the evolution of the techno music, created with heart, passion and analog instruments like it was in the 90 years. the lp includes acoustics and settings what are unparalleled in their style, perfect for the blumoog review, an e.p that really can t miss in your vinyl library, especially be carefull to the fragile heart person. the two new york man s tracks are charming and penetrating at once, with the only style of steve stoll, who gives ourselves techno emotions of high level from 20 years ago. the other three tracks are proposed by m.r.e.u.x. they contains psychedelic and power with a big style. all is accompanied from his known detailed musical elegance. he has also created an intro bonus track with analog machines that s electrifying. welcome in the blumoog s future. another nice shot for blumoog music, good listening and always remember: the electronic music will never end!

“pasiilgau” marks desroi’s first release on his own eponymous imprint. after his debut release earlier this year on the label total black, he took his experimental approach further onto a purely dancefloor-oriented focus. with his background having studied composition, desroi tries to blur the boundaries between contemporary, experimental music and straight forward techno with a clear direction to the club. thus desroi001 resulted in a deep and abstract, yet driving and energetic techno debut ep.

a slow burning showcase of slowly evolving sonic substances and memories, a dense fog on a barren land steadily revealing the artefacts and objects hidden behind rocks and beneath the shadows, a static art piece hanging for months in a gallery rarely visited, allowed to decay into a beautiful immersive, solitary existence.
this release is mastered and cut by rashad becker in two parts, pressed onto heavy 180g wax with an lss logo hand-stamped centre, encased in a black matte silver screen-printed sleeve, including a b&w matte a6 postcard insert.

the first number of the hand-stamped series is the bordei rossobordei comes from an arav (at his debut) and estmode duo inspiration, in romania during a journey. bordei verde a small town situated on the road between bucharest and galati inspired to name it. enjoy the end result

»steno« marks songs for pneumonia’s debut album. after one ep release as part of the magazine »verschiebung« the leipzig-/ halle-/berlin-based quartet claims attention with this 5-track lp. the black vinyl 12” is limited to 300 pieces and includes a downloadcode.

repetition/distract’s 2012 album on the weevil neighbourhood, repressed and reissued in 2016.
repress: black vinyl in brown cardboard discobag. hand-stamped and -numbered. comes with artwork- and info-card tied to the sleeve.

holovr is jimmy billingham who also records under the aliass tidal, venn rain, journey of mind & holographic mind - he has released music on firecracker records, opal tapes and hooker vision as well as his own indole records release information anterior space may strike some listeners of a certain age as an echo of the gilded age of armchair techno exemplified by warp records artificial intelligence comps. theres a similar convergence of the cerebral and the blissful in the four epic compositions holovr (aka jimmy billingham) finesses from his analog and digital synths as that found on those early-90s pieces by black dog, b12, and others.

steven porter’s (aka katsunori sawa and yuji kondo) debut ep on the weevil neighbourhood. repress: black vinyl in brown cardboard discobag. hand-stamped and -numbered.

spain s javi bora has been steadily carving out a name for himself over the past few years holding up a residency at the infamous, now late space ibiza and its kehakuma parties, as well as racking up releases for elrow music, suara, robsoul, 2020 vision and moda black. here though we see him paired with fellow spaniard for a new ep set to be released via london s fledgling spilt milk recordings which has played host to material from the likes of italoboyz, alexi delano and of course its founders tred benedict and st. bernard. title-track bounze takes the lead on the record, laying the foundations with snaking synth sequences, voice atmospherics and robust rhythms before hector moralez and katal step in on the remix. the pair reshape bounze with their own stripped-back distinctive style, opting for floating pads, heavily swung percussion and snippets from the originals spoken parts. ritual rights follows and lays focus on arpeggio 303 tinged bass hits, crunchy drums and subtly unfolding synth leads that ebb and flow throughout the record. the 002 then rounds out the package with dubby stab sequences, soaring pad swells and gritty, energetic rhythms

after the big success on digital moblack records catalogue goes on wax with a collector s edition - moblack sampler vol. 1
dj support:
black coffee, osunlade, boddhi satva, zepherin saint, ndinga gaba, pablo fierro, sunlightsquare, djeff afrozila, dj spen, manoo, atjazz,

25th anniversary edition with remastered audio - the complete album is available on vinyl for the first time. limited first pressing of 1.000 numbered copies on transparent 180 gram audiophile vinyl, housed in a gatefold sleeve with insert.

‘satan’s slave’ is the latest release from moscovitch music (terror/prey), the brainchild of producer/compiler joel martin (quiet village/velvet season & the hearts of gold/maxxi & zeus) whose ‘de wolfe music’ compilations ‘bite hard/bite harder’ are considered essential primers of the library genre. this holy grail black-magic british jazz soundtrack from 1976 is the most requested movie score of cult film composer and top english jazz saxophonist/flautist - john scott (symptoms/wake in fright/craze). for aficionados of rare library music and obscure horror soundtracks this is an essential album.